American Beauty Kinox


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Astrid T. God film. I yderste konsekvens. Husk min adgangskode. Opret ny kino. Seneste anmeldelser. Startet af Antaeus.

Startet af Margit. Brugernes Top 10 1. Anmeldernes Top 10 1. Mest ventede Film 1. Und auch im Verhältnis zu seiner Tochter Jane fühlt er sich als Versager.

Sie wurde angeklagt die Ehefrau ihres Liebhabers angeschossen und lebensgefährlich verletzt zu haben. Sie bekannte sich schuldig und wurde zu 6 Jahren Gefängnis verurteilt.

Deine Bewertung. Vormerken Ignorieren Zur Liste Kommentieren. Schaue jetzt American Beauty. Mehr Infos: SD Englisch. Kevin Spacey.

Mena Suvari. Thora Birch. Annette Bening. Wes Bentley. Chris Cooper. Allison Janney. Peter Gallagher. Barry Del Sherman.

John Cho. Sam Robards. Scott Bakula. Brenda Wehle. Ara Celi. Principal photography lasted about 50 days [] from December 14, , [] to February Production designer Naomi Shohan likened the locale to Evanston, Illinois , but said, "it's not about a place, it's about an archetype.

The milieu was pretty much Anywhere, USA—upwardly mobile suburbia. Shohan said, "All of them are very strained, and their lives are constructs.

The production selected two adjacent properties on the Warner backlot's "Blondie Street" for the Burnham and Fitts' homes. Fitts—watching from Ricky's bedroom—mistakenly assumes that Lester is paying Ricky for sex.

The production deliberately minimized the use of red, as it was an important thematic signature elsewhere. The Burnhams' home uses cool blues, while the Fitts' is kept in a "depressed military palette".

Mendes' dominating visual style was deliberate and composed, with a minimalist design that provided "a sparse, almost surreal feeling—a bright, crisp, hard edged, near Magritte -like take on American suburbia"; Mendes constantly directed his set dressers to empty the frame.

He made Lester's fantasy scenes "more fluid and graceful", [18] and Mendes made minimal use of steadicams , feeling that stable shots generated more tension.

For example, when Mendes used a slow push in to the Burnhams' dinner table, he held the shot because his training as a theater director taught him the importance of putting distance between the characters.

He wanted to keep the tension in the scene, so he only cut away when Jane left the table. Fitts beats Ricky. Mendes said the camera provided the scene with a "kinetic He also went hand-held for the excerpts of Ricky's camcorder footage.

The scene took four takes; two by the second unit did not satisfy Mendes, so he shot the scene himself.

He felt his first take lacked grace, but for the last attempt, he changed the location to the front of a brick wall and added leaves on the ground.

Mendes was satisfied by the way the wall gave definition to the outline of the bag. Mendes said, "That happened three or four times, and they are all in the movie.

He said, "I started with a wrong scene, actually, a comedy scene. It was all my fault. Mendes encouraged some improvisation; for example, when Lester masturbates in bed beside Carolyn, the director asked Spacey to improvise several euphemisms for the act in each take.

Mendes said, "I wanted that not just because it was funny I wanted it to seem like he was blurting it out of his mouth without thinking.

Most of the rose petals in Lester's fantasies were added in post-production, [57] although some were real and had the wires holding them digitally removed.

To position the camera, a hole had to be cut in the ceiling, through which the steam escaped; it was instead added digitally. Mendes and an assistant edited the film for ten days between the appointments.

He believed he had been making a "much more whimsical, Instead, Mendes was drawn to the emotion and darkness; he began to use the score and shots he had intended to discard to craft the film along these lines.

Mendes spent two days filming Spacey against bluescreen , but removed the sequence as he believed it to be too whimsical—"like a Coen brothers movie"—and therefore inappropriate for the tone he was trying to set.

However, in the portion he used in the opening—and when the full scene plays out later—Mendes used the score and a reaction shot of Ricky to leave a lingering ambiguity as to his guilt.

Mendes spent more time recutting the first ten minutes than the rest of the film taken together. He trialled several versions of the opening; [8] the first edit included bookend scenes in which Jane and Ricky are convicted of Lester's murder, [] but Mendes excised these in the last week of editing [8] because he felt they made the film lose its mystery, [] and because they did not fit with the theme of redemption that had emerged during production.

Mendes believed the trial drew focus away from the characters and turned the film "into an episode of NYPD Blue ".

Instead, he wanted the ending to be "a poetic mixture of dream and memory and narrative resolution". He felt that they were so short that they "didn't really register".

Mendes and he argued, [94] but Ball was more accepting after Mendes cut the sequences completely; Ball felt that without the scenes, the film was more optimistic and had evolved into something that "for all its darkness had a really romantic heart".

Conrad Hall was not the first choice for director of photography; Mendes believed he was "too old and too experienced" to want the job, and he had been told that Hall was difficult to work with.

Instead, Mendes asked Frederick Elmes , who turned the job down because he did not like the script. Mendes was directing Cruise's then-wife Nicole Kidman in the play The Blue Room during preproduction on American Beauty , [] and had already storyboarded the whole film.

Hall's approach was to create peaceful compositions that evoked classicism , to contrast with the turbulent on-screen events and allow audiences to take in the action.

Hall and Mendes first discussed the intended mood of a scene, but he was allowed to light the shot in any way he felt necessary.

This approach gave Hall more control over the shadows while keeping the fill light unobtrusive and the dark areas free of spill. He had difficulty adjusting to Kodak's newly introduced Vision release print stock, which, combined with his contrast-heavy lighting style, created a look with too much contrast.

When he saw the film in a theater, Hall felt that the image was slightly unclear and that had he not used the filter, the diffusion from the Super 35—anamorphic conversion would have generated an image closer to what he originally intended.

A shot where Lester and Ricky share a cannabis joint behind a building came from a misunderstanding between Hall and Mendes.

Mendes asked Hall to prepare the shot in his absence; Hall assumed the characters would look for privacy, so he placed them in a narrow passage between a truck and the building, intending to light from the top of the truck.

When Mendes returned, he explained that the characters did not care if they were seen. He removed the truck and Hall had to rethink the lighting; he lit it from the left, with a large light crossing the actors, and with a soft light behind the camera.

Hall felt the consequent wide shot "worked perfectly for the tone of the scene". In one shot during Lester's encounter with Angela at the Burnhams' home, Hall created rain effects on the foreground cross lights; in another, he partly lit the pair through French windows to which he had added material to make the rain run slower, intensifying the light although the strength of the outside light was unrealistic for a night scene, Hall felt it justified because of the strong contrasts it produced.

For the close-ups when Lester and Angela move to the couch, Hall tried to keep rain in the frame, lighting through the window onto the ceiling behind Lester.

Thomas Newman 's score was recorded in Santa Monica, California. He built each cue around "small, endlessly repeating phrases"—often, the only variety through a "thinning of the texture for eight bars ".

In , the magazine chose the score as one of twenty essential soundtracks it believed spoke to the "complex and innovative relationships between music and screen storytelling".

DreamWorks contracted Amazon. The website included an overview, a photo gallery, cast and crew filmographies, and exclusive interviews with Spacey and Bening.

Both trailers ended with the poster image of a girl holding a rose. The studio reluctantly agreed and showed the film to a young audience in San Jose, California.

Mendes claimed the screening went very well. American Beauty had its European premiere at the London Film Festival on November 18, ; [] in January , it began to screen in various territories outside North America.

Blockbuster and DreamWorks could not agree on a profit-sharing deal, so Blockbuster ordered two-thirds the number of copies it originally intended.

Some Blockbuster stores only displayed 60 copies, [] and others did not display the film at all, forcing customers to ask for it.

This return was lower than would have been expected had DreamWorks and Blockbuster reached an agreement. The DVD release included a behind-the-scenes featurette, film audio commentary from Mendes and Ball, and a storyboard presentation with discussion from Mendes and Hall.

American Beauty was widely considered the best film of by the American press. It received overwhelming praise, chiefly for Spacey, Mendes and Ball.

Writing in Variety , Todd McCarthy said the cast ensemble "could not be better"; he praised Spacey's "handling of innuendo, subtle sarcasm, and blunt talk" and the way he imbued Lester with "genuine feeling".

Fitts were stereotypes. Maslin felt that Mendes directed with "terrific visual flair", saying his minimalist style balanced "the mordant and bright" and that he evoked the "delicate, eroticized power-playing vignettes" of his theater work.

He said that Mendes worked the script's intricacies smoothly, to the ensemble's strengths, and staged the tonal shifts skillfully.

He said Mendes' "sure hand" was "as precise and controlled" as his theater work. McCarthy cited Hall's involvement as fortunate for Mendes, as the cinematographer was "unsurpassed" at conveying the themes of a work.

Turan suggested that American Beauty may have benefited from Mendes' inexperience, as his "anything's possible daring" made him attempt beats that more seasoned directors might have avoided.

Turan felt that Mendes' accomplishment was to "capture and enhance [the] duality" of Ball's script—the simultaneously "caricatured Turan cited Ball's lack of constraint when writing the film as the reason for its uniqueness, in particular the script's subtle changes in tone.

He called Ball's dialogue "tart" and said the characters—Carolyn excepted—were "deeply drawn". One other flaw, McCarthy said, was the revelation of Col.

Fitts' homosexuality, which he said evoked "hoary Freudianism ". He said that even when the film played for sitcom laughs, it did so with "unexpected nuance".

Nevertheless, Hentzi believed that the film's themes of materialism and conformity in American suburbia were "hackneyed".

A few months after the film's release, reports of a backlash appeared in the American press, [] and the years since have seen its critical regard wane.

American Beauty was not considered an immediate favorite to dominate the American awards season. Several other contenders opened at the end of , and US critics spread their honors among them when compiling their end-of-year lists.

As the nominations for the 72nd Academy Awards approached, a frontrunner had not emerged. Its campaign combined traditional advertising and publicity with more focused strategies.

Although direct mail campaigning was prohibited, DreamWorks reached voters by promoting the film in "casual, comfortable settings" in voters' communities.

The studio's candidate for Best Picture the previous year, Saving Private Ryan , lost to Shakespeare in Love , so the studio took a new approach by hiring outsiders to provide input for the campaign.

It hired three veteran consultants, who told the studio to "think small". Nancy Willen encouraged DreamWorks to produce a special about the making of American Beauty , to set up displays of the film in the communities' bookstores, and to arrange a question-and-answer session with Mendes for the British Academy of Film and Television Arts.

Dale Olson advised the studio to advertise in free publications that circulated in Beverly Hills —home to many voters—in addition to major newspapers.

Olson arranged to screen American Beauty to about 1, members of the Actors Fund of America, as many participating actors were also voters. In March , the major industry labor organizations [nb 18] all awarded their top honors to American Beauty ; perceptions had shifted—the film was now the favorite to dominate the Academy Awards.

From Wikipedia, the free encyclopedia. Theatrical release poster. Bruce Cohen Dan Jinks. Tariq Anwar Christopher Greenbury.

Release date. Running time. Play media. For all the differences between now and the [s], in a lot of ways this is just as oppressively conformist a time.

You see so many people who strive to live the unauthentic life and then they get there and they wonder why they're not happy. I didn't realize it when I sat down to write [ American Beauty ], but these ideas are important to me.

Main article: List of accolades received by American Beauty. Munt says may seem strange to heterosexual audiences.

When Jane plays " Cancer for the Cure ", she switches off after a few moments because her parents return home. The moment reinforces her as someone whose voice is "cut short", as does her lack of association with as clearly defined genres as her parents.

The play made it to the screen in as Little Voice , without Mendes' involvement. And I said, 'Well, what else is there?

And I thought, 'Thank you, God. Later, "screens" refers to single auditoriums. British Board of Film Classification.

Archived from the original on July 14, Retrieved July 14, Box Office Mojo. Archived from the original on September 5, Retrieved September 22, The New York Times : The Advocate : Archived from the original on January 13, Retrieved May 9, The Guardian : March 7, The Hollywood Reporter.

The Advocate : 91— Entertainment Weekly. Entertainment Weekly Kirk November 6, Chicago Sun-Times.

Brugerne 5. Mediernes vurdering 0 0. Bruger anmeldelser 10 Skriv din egen anmeldelse. Astrid T. God film. I yderste konsekvens. Husk min adgangskode.

Opret ny kino. Seneste anmeldelser. Startet af Antaeus. Startet af Margit. Things change Written by Huggo. Beautiful story and precision crafted script.

The stereotypes hit very close to home. The nubile teen girl is just hot and dripping. Looking for some great streaming picks?

Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites.

User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions.

Rate This. A sexually frustrated suburban father has a mid-life crisis after becoming infatuated with his daughter's best friend.

Director: Sam Mendes. Writer: Alan Ball. Added to Watchlist. From metacritic. Der Film handelt vom kanadischen Wer etwas haben möchte, muss artig sein: Der Oscar-Preisträger hat jetzt per Brief bei seinem Traumregisseur für sich geworben.

Daniel Craig verrät, warum: "Goldständer" Mike Myers ist schuld. Für Links auf dieser Seite erhält kino. Mehr Infos.

American Beauty im Stream. Bilderstrecke starten 17 Bilder. Wie bewertest du den Film? Kritikerrezensionen Cinefacts.

Dies ist meine Stadt. Dies ist mein Haus. Dies ist mein Leben. Ich bin 42 Jahre alt. In nicht einmal einem Jahr werde ich tot sein. Für den Zuschauer natürlich ein sehr unbequemes Gefühl, so lernt er Lester kennen, mögen, identifiziert sich und sympatisiert mit ihm und hat dabei doch ständig den unschönen Gedanken im Kopf, dass er am Ende sterben wird und dies nicht ändern kann.

Und trotzdem muss ich sagen, so zufrieden habe ich das Kino nie zuvor verlassen, auch wenn der gute Lester traurigerweise am Ende tot auf dem Küchentisch liegt.

Sie schildert den Ausbruch eines amerikanischen Durchschnittsbürgers aus seinem Unglück - und seinen Fall. Für sein Glück zahlt er den höchsten Preis, sein Leben.

American Beauty Kinox

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American Beauty - Ricky Fitts Korsika und Katalonien bis zur Südsee. Aktuell Daten per Mail anfordern Kultur! You are commenting using your WordPress. Der Titel des Historiendramas lautet Bridgerton Wolf und Adler. James Bond Neu einer vergessenen W. William, der mutige Anführer der königlichen Wache, macht sich aus Liebe und Loyalität der Prinzessin gegenüber auf, um sie von ihrem Schicksal zu erlösen. Im Rahmen einer Nebenrolle spielt sie eine Barkeeperin namens Geri. Notify me of new comments via email. Bitte schalte Javascript ein. American Beauty Kinox Venom 2: Let There Be The Code Film. Hollywood, California: Varys Society of Cinematographers. Retrieved April 11, Bilderstrecke starten 17 Bilder. He told her, "Your character is in there somewhere. Velvet Light Trap. Jim Berkley Barry Del Sherman Alan Ball. Written by Huggo.

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