The Descent Kinox The Descent 3: Keine Neuigkeiten seit Jahren
Sechs Frauen treffen sich an einem abgelegenen Gebirgszug der Appalachen, um dort ein verzweigtes Höhlensystem zu erforschen. Als sie jedoch den. Film "The Descent 2 – Die Jagd geht weiter ()" stream kinox. Angst vor der Dunkelheit?Oct. 14, Min. Kostenlos film "Descent ()" deutsch stream german online anschauen kinoX Cx: Studentin Maya lässt sich auf einer Party auf ein Geplänkel mit ihrem. Grauens deutsch stream online anschauen Kkiste, The Descent – Abgrund des Grauens german stream online anschauen Kinox. The Descent - Abgrund des Grauens stream online anschauen kinox kinos sawchain.eu - Jedes Jahr bricht eine sechsköpfige Clique junger Frauen zu abenteuerlichen. des Grauens () german stream online anschauen Kinox, Film HD stream deutsch kostenlos online schauen The Descent - Abgrund des. KinoX The Descent - Abgrund des Grauens stream online anschauen - Jedes Jahr bricht eine sechsköpfige Clique junger Frauen zu.
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The wavy curly dark brown hair is enough to bring out the best version in herself. On top of that, her dark brown eyes do the magic. She made a debut from Centro medico, where she portrayed the role of Amina.
Similarly, in she appeared in El Principe as Nur. Her major breakthrough was when she was cast as Nadia Shana in Elite from The series is still ongoing and is one of the top shows on Netflix.
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In a time like this, it might not harm to say that Mina is single and happy. We will update further data as soon as it is on the media.
It has not been so many years that this Spanish actress in the industry. But we know that as the day passes by, we will be able to see more of this model.
In a matter of time, she will rank among the millionnaire. Apart from this, there is no actual data about her salary, cars, and mansions.
One thing is sure that she lives a lavish lifestyle. Mina El Hammani is a Spanish actress belongs to Moroccan descent and currently gaining the fans worldwide through her portrayal of Nadia Shanaa in Elite.
She was born on 26th November in Madrid, Spain and from her childhood, she was destined for acting. Despite this, she was clear about her passion and dedicated as well so when she turned 12, she asked her mother to sign up for theatre.
Later in , she starred in the first season of Elite in Netflix and from this point, her life completely changed. She was gaining widespread acclaim and fan following across almost countries and her inbox was full of wishes and messages from fans.
The series is still ongoing and is one of the top shows on Netflix. On her holiday, she visits several fancy destinations all over the world. Instagram: 6.
Your email address will not be published. Save my name, email, and website in this browser for the next time I comment.
The Descent paints a dreadful picture of what possibly lurks beneath the surface of the Earth in which is unknown by all that live above the darkness.
As a group of old friends embark on their yearly adventure, Juno decides that cave exploration would be the most-thrilling choice for the women to make.
Their first-time attempt at cave diving together would prove to be one they would ultimately regret, for none of them would ever imagine to run into what they are unfortunate to underneath the Earth's layers.
As the group becomes aware of another presence, they start dropping like flies. Unable to combat or understand what it is that they are seeing, the group descends into madness and ultimately breaks apart.
Not only are they facing demonic animals that appear only to devour their flesh, but they now have to fight each other and themselves as well. With only the tools they originally brought for their cave diving experience, they must fight off the opposition for survival, but it is not likely.
These creatures have evolved in such a way that they do not have to see their prey in the dark, for that is their world.
We wanted to show all these terrible things in the cave: dark, drowning, claustrophobia. Then, when it couldn't get any worse, make it worse.
Simon Bowles designed the maze of caves for The Descent. Reviews credited Bowles: e. Production of The Descent competed with a big-budget American film that had a similar premise, The Cave.
The Descent was originally scheduled to be released in the United Kingdom by November or February , but The Cave began filming six months before its competitor.
The filmmakers of The Descent decided to release their film before The Cave , so they fast-tracked production to be completed by the end of February The Descent was released in North America with approximately one minute cut from the end.
In the American cut, Sarah escapes from the cave and sees Juno, but the film does not cut back to the cave. The August 4, issue of Entertainment Weekly reported that the ending was trimmed because American viewers did not like its "uber-hopeless finale".
Lionsgate marketing chief Tim Palen said, "It's a visceral ride, and by the time you get to the ending you're drained.
In the film, the women encounter underground creatures referred to as crawlers by the production crew. Marshall described the crawlers as cavemen who have stayed underground.
The director explained, "They've evolved in this environment over thousands of years. They've adapted perfectly to thrive in the cave.
They've lost their eyesight, they have acute hearing and smell and function perfectly in the pitch black. They're expert climbers, so they can go up any rock face and that is their world.
Director Neil Marshall first chose to have a dark cave as the setting for his horror film The Descent then decided to add the element of the crawlers, describing them as "something that could get the women, something human, but not quite".
The director included mothers and children in the colony of creatures, defining his vision, "It is a colony and I thought that was far more believable than making them the classic monsters.
If they had been all male, it would have made no sense, so I wanted to create a more realistic context for them. I wanted to have this very feral, very primal species living underground, but I wanted to make them human.
I didn't want to make them aliens because humans are the scariest things. The crawlers were designed by Paul Hyett, a makeup and prosthetics creator.
Crawlers originally had pure white skin, but the look was adjusted to seem grubbier. The skin was originally phosphorescent in appearance, but the effect was too bright and reflective in the darkened set, so the adjustment was made for them to blend in shadows.
Actress Natalie Mendoza said of the effect, "When the moment came, I nearly wet my pants! I was running around afterwards, laughing in this hysterical way and trying to hide the fact that I was pretty freaked out.
Even after that scene, we never really felt comfortable with them. The crawlers reappear in The Descent Part 2 , a sequel by Jon Harris with the first film's director Neil Marshall as executive producer.
For the sequel, Hyett improved the camouflaging ability of the crawlers' skin tones to deliver better scares.
According to Hyett, "Jon wanted them more viciously feral, inbred, scarred and deformed, with rows of sharklike teeth for ripping flesh. Rene Rodriguez of The Miami Herald described the crawlers as "blind, snarling cave-dwellers, looking much like Gollum 's bigger kin".
The skull of women motif used in some advertising material is based on Philippe Halsman 's In Voluptas Mors photograph. The film's marketing campaign in the United Kingdom was disrupted by the London bombings in July Advertisements on London's public transport system including the bus that had exploded had included posters that carried the quote, "Outright terror The distributor's marketing chief, Anna Butler, said of the new approach, "We changed tack to concentrate on the women involved all standing together and fighting back.
That seemed to chime with the prevailing mood of defiance that set in the weekend after the bombs. When it was released in July [], this claustrophobic story of six women who stumble across something nasty on a caving trip got arguably the best reviews of any Brit pic this year.
The film received limited releases in other European countries. The film has received critical acclaim. The website's critical consensus states, "Deft direction and strong performances from its all-female cast guide The Descent , a riveting, claustrophobic horror film".
Roger Ebert 's editor, Jim Emerson, reviewed the film for Ebert's column whilst Ebert was on leave due to surgery, giving it four out of four stars.
He wrote, "This is the fresh, exciting summer movie I've been wanting for months. Or for years, it seems. Manohla Dargis of The New York Times described The Descent as "one of the better horror entertainments of the last few years", calling it "indisputably and pleasurably nerve-jangling".
Dargis applauded the claustrophobic atmosphere of the film, though she perceived sexual overtones in the all-female cast with their laboured breathing and sweaty clothing.
Rodriguez also noted the attempt to add dimension to the female characters but felt that the actresses were unable to perform.
Top ten lists, : [28]. Bloody Disgusting ranked the film third in their list of the 'Top 20 Horror Films of the Decade', with the article saying "One of the scariest films of this or any decade Ultimately, The Descent is the purest kind of horror film — ruthless, unforgiving, showing no mercy.
Lawrence Toppman of The Charlotte Observer thought a weakness of The Descent was the failure of the writer to explain the evolution of the creature, though he said, "Their clicking and howling, used for echolocation and communication, makes them more alien; this otherness gives humans permission to mutilate them without seeming too disgusting to be sympathetic.
From Wikipedia, the free encyclopedia. For the book by Jeff Long, see The Descent novel. For other similarly named films, see Descent film and Descent film.
For other uses, see Descent disambiguation. Theatrical release poster. Celador Films Northmen Productions. Release date. Running time.
Main article: The Descent Part 2. Future Movies. Archived from the original on 7 December Retrieved 22 October Box Office Mojo.
Archived from the original on 2 November Retrieved 9 November
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Ein Jahr später wollen die Freundinnen sie auf andere Gedanken bringen und überreden sie zu einem Höhlenabenteuer in einem abgelegenen Gebirgszug. Was hat der Mist hier oben mit The Descent zu tun????
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