The Shannara Chronicles Bs Kommentare
bsnet, Braunschweig-Quartett, kino. bsnet · stadtlich · termine · kino · filmfest · film-dienst · kultur · sport · kochecke sudoku. The Shannara Chronicles - Staffel 1. The Shannara Chronicles basiert auf der gleichnamigen Roman-Reihe von Fantasy-Autor Terry Brooks, der auch am Drehbuch mitgewirkt hat (in Deutschland. Zu der Serie Shannara Chronicles passt die Serie The Shadow Hunters, Witches of East End und The Secret Circle (evtl auch Teen Wolf). Tausende Jahre nachdem die Zivilisation zerstört wurde, entdecken der Halbelfe Wil (Austin Butler) und der Druide Allanon (Manu Bennett). B. S.. 5,0 de 5 estrellas Fantasy-Film. Revisado en Alemania el. Serien: The Shannara Chronicles, Once Upon a Time, Lost Girl Anime: Madoka Magica, Fate/Zero & Fate/stay night: UBW, Dusk Maiden of Amnesia, Beyond the. sawchain.eu › Serien › The Shannara Chronicles › News.
Mareth and Wil embark on a mystical detour to retrieve a critical item from Wil's hometown -- and time is of the essence.
Bandon and his minions work feverishly to resurrect the Warlock Lord. Meanwhile, Mareth races against the clock and risks everything.
Wil must face his past -- and let it go. As the connection between Mareth and Allanon grows deeper, Bandon's dark forces prove impossible to control.
Eretria makes a dark confession. Bandon gets his wish -- with a catch. And the formidable power of the Warlock Lord continues to grow.
With the future of the Four Lands on the line, Wil and Mareth must use all their powers to battle the ultimate adversary.
Netflix Netflix. After the destruction of civilization, three young heroes become Earth's last hope for salvation when a massive force of demons threatens the planet.
Creators: Alfred Gough, Miles Millar. Watch all you want. Episodes The Shannara Chronicles. Season 1 Season 2. Release year: Chosen: Part 1 41m.
Chosen: Part 2 42m. Fury 42m. Changeling 41m. Reaper 41m. Pykon 42m. Breakline 42m. Utopia 41m. Safehold 41m. Ellcrys 42m. Druid 43m. Wraith 43m.
Graymark 43m. Dweller 43m. Paranor 43m. Crimson 42m. Warlock 42m. Amberle 43m. In , I did a deal with Warner Bros.
When the option deal with Warner Bros. The producer who had initially gotten Warner Bros. About a year or so after the Warner Bros.
Dan Farah Executive Producer : One of the hurdles of adapting the Shannara books into a movie was figuring out how to trim any one book down to a two-hour movie when there was so much great story and world to explore.
As the TV landscape started changing, and more movie-level programming became possible, Terry and I started talking about adapting the Shannara books for TV.
The idea of having ten or more hours to explore each book's story got us really excited, and so Terry gave me the rights to see if I could put a show together.
Gough: Obviously Game Of Thrones has proven the audience's ability to absorb long-form storytelling, which basically most fantasy book series are; they're densely packed storytelling.
And visual effects have finally reached a point where you can actually achieve these worlds on a budget. It's still not easy, but you can do it. There are ways to do it so that you can give that feature-quality world-building where, when you look at the world, there are no seams.
It all feels real. Nothing pulls you out of it. Manu Bennett Allanon : Our producer, Dan Farah, is the guy who said we could go to television with this.
That's a huge decision by a producer to say, "Let's set a new bar. Without those seeds, none of this would happen. Brooks: What happened next is all I could have hoped for.
Dan put together the financing for a TV series through a partnership between his company and a financier called Sonar Entertainment. Farah: My company, Farah Films, and Sonar partnered up in to develop and produce a television adaptation of the Shannara books.
We started meeting show-runners and in that process we met Miles Millar and Al Gough who had created and run Smallville.
We then met with potential directors and that process led us to Jon Favreau, who was a big fan of the books. Jon came on board to direct the first episode and Exec Produce with us.
Jonathan had just directed the very successful Teenage Mutant Ninja Turtles movie for Paramount, and loved the Shannara books and the scripts Al and Miles had written at that point.
He came on to direct the first two episodes and Exec produce with us. Miles Millar Executive Producer : We were both going on vacation and were given the books.
We read them that week and both loved it in terms of its potential. One, there were really interesting characters, particularly female characters in this book, The Elfstones Of Shannara , and the story really would make a complete season.
It had a great start and a great ending. As a writer, it's always nice to have that foundation. Gough: I tell Terry, "You wrote this book 30 some years ago and you have all the key ingredients," which are strong female characters and a triangle in the middle of it, which is something you don't see in fantasy very often, between two girls and a boy.
On top of that, you have this world, which is our world in the future, so it gives it a science fiction kind of bent as well, which is really cool.
And then you have a horror element with these demons which are attacking, which gives it an edge.
Elfstones Of Shannara has just the right ingredients. Brooks: With Elfstones , I decided to construct a story with two strong female characters and to create a triangle, though not a traditional kind of triangle.
It would be different and their motivations would be different. I wanted some kind of love story. From there I came up with a story that had to do with the fact that the elves were dealing with a barrier created during the Age Of Faeries to contain creatures, which was threatening to break down and set them free.
Overall, Elfstones is about responsibility for yourself and others, and how far you're willing to take responsibility for what you know is right.
You're the little man, you're going to get kicked, you have no chance, but you somehow find the strength to do what you have to do.
So those are all part and parcel of the story. And I wanted some kind of an epic battle, so that became part of it, too.
Millar: Terry provided us flexibility that we could change what we needed to change and make it our own in many ways, while we remain deeply respectful to the source story, his characters and all those others things.
So it was actually a really good collaboration. Brooks: The easiest way to explain that is to tell you that I wrote that book a long time ago and I let go of it a long time ago.
For me, as a book writer, I'm always looking ahead, so I'm twenty-some books ahead of that book, on a new book, and I'm writing something new right now.
I can be excited about the adaptation without being critical. You get the smell of the great ones after a while when you do them, and I think this is going to be one of the most remarkable shows on television.
What it has is the big screen qualities that you expect from one of those epic Lord Of The Rings shows, and I think it's going to be directly comparable in terms of complexity and seductiveness.
The casting is brilliant. They're all eye candy, but here's the difference: they're eye candy with real acting talent as well.
It's a fantastic show that starts off, of course, with a very strong and good literary work. And I think it probably even exceeds it, perhaps.
Brooks: Wil Ohmsford, who is the child of the hero of the first book [ The Sword Of Shannara ], is the main lead, and there are two women: one is an Elven princess, part of the Elessedil family, named Amberle; and Eritrea is a 'rover' [nomadic] girl who has an important role in what happens in the story.
Those are the three main ones. And then there's the druid, Allanon, from the first book; and King Elessedil, among others. Farah: At the end of the day, the characters are the most important element to any show, and we have incredibly strong characters.
They were strong in the books Terry wrote, and Al and Miles elevated those characters even further. We were also very lucky in finding the perfect actors for each character.
Gough: We spent a very long time casting this show. Austin Butler is a great combination; he's obviously an incredibly good-looking kid, but he has incredible empathy and he can be funny.
It's a rare combination to find that in a young actor. Austin Butler Wil Ohmsford : Wil is a farm boy who has never been more than five miles outside of his little village.
In the beginning of the story, all he can think about is protecting his mom, who's very sick. He thinks that his place in the world is to become a healer and that's what will give him security.
While he's on a journey to go become a healer, he gets pulled off of that journey by Allanon, this druid, who says, 'Your ancestors were kings and warriors,' but Wil doesn't feel that way.
In a sense, his responsibility is to save the world, and he gets sent on this quest to save the world with the princess.
That's the story. She had a small role in Downton Abbey and she's one of these young actresses to come out that you're just, like, "Where has she been?
Poppy Drayton Princess Amberle : She's the princess of Aborlon, and basically discovers pretty early on that she has this overwhelming responsibility to try and save the Four Lands.
It's all about her discovering this and then coming to terms with this huge weight of responsibility that's just been dumped on her shoulders.
Gough: Ivana Baquero is also fantastic playing Eretria, a rover. She's a really, really good Spanish actress and somebody who hasn't been on American television before.
What's nice about this situation is these are faces that you haven't seen on 50 other shows. Ivana Baquero Eretria : Eretria is one of the few humans that exist in the Four Lands, because it takes place in an apocalyptic world where most humans have already been extinguished.
I'm from a rover clan and rovers are a nomadic group of thieves that rove around the Four Lands stealing and being a bit naughty, so they have a really bad reputation.
She comes from a very abusive background — a very dark background — but everything starts to change for her the moment she meets Wil and Amberle.
From that moment on, her horizon suddenly opens and she starts doubting everything she's ever known. Her journey in the show is so much fun to play, because she's such a badass, but she's got such a big heart, too.
He brings a real gravitas to Allanon. Even though he's so well known because of these other shows, this could really break him out as well.
Bennett: From an acting perspective, your career path is governed by how fortunate you are to work with the higher rank production people. Whether it be the producers or the people who are in the practical and artistic world, our job is to get in there and act.
You can put me in a student movie or a student film and I'll go in and do the best acting I can. But when you're standing with people like Peter Jackson or working with Warner Bros.
He's so good. Millar: John lives in New Zealand, but he was reluctant to do it. He came in, we showed him the sets, told him about the role, told him about the books and he said, "You know what?
I didn't want to do it, but I read the script and it's damn good.
Plot Summary. Running with the Demon la Description et achat sur Amazon. Archived Film Willkommen Bei Den Hartmanns the original on January 25, Went 3 episodes, Watch Spiderman Homecoming Blakiston A real mentor figure. Morag 1 episode, Genevieve Aitken Meanwhile, Eretria and Lyria are taken captive by a group of Rovers only to be rescued by the bounty hunter Garet Jax. For the computer game, see Shannara video game. Frances 1 episode,External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos.
Crazy Credits. Alternate Versions. Rate This. Episode Guide. Series of adventures, war, and evil that occur throughout the history of the Four Lands.
Creators: Alfred Gough , Miles Millar. Added to Watchlist. Top-Rated Episodes S1. Error: please try again. October TV Calendar.
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Edit Cast Series cast summary: Austin Butler Wil Ohmsford 20 episodes, Ivana Baquero Eretria 20 episodes, Manu Bennett Allanon 20 episodes, Aaron Jakubenko Ander Elessedil 20 episodes, Marcus Vanco Bandon 18 episodes, Poppy Drayton Amberle Elessedil 13 episodes, Melise Mareth 10 episodes, Vanessa Morgan Lyria 10 episodes, Gentry White Garet Jax 10 episodes, Emilia Burns But when you're standing with people like Peter Jackson or working with Warner Bros.
He's so good. Millar: John lives in New Zealand, but he was reluctant to do it. He came in, we showed him the sets, told him about the role, told him about the books and he said, "You know what?
I didn't want to do it, but I read the script and it's damn good. A real mentor figure. Rhys-Davies: To be honest, I'm not really fond of fantasy.
I tend to be more of a sci-fi guy, so I was a little bit leery about this, but it won me over. When you do a show, you think, "If I was producing it, I wouldn't have done that.
That's an odd choice. They have done their homework. Butler: He offered a couple of pieces of advice to us.
He said to always try to keep your props. He kept the props from Lord Of The Rings and he's very happy that he did.
He said to make friends with the on-set photographer, because he's so happy that he did that on Lord Of The Rings.
He got pictures with his axe and things like that. Those are the things you don't think about on the day, because you're just so focused that you think, "Oh, I don't have time for pictures.
Drayton: He's full of little nuggets of wisdom, even on our first read through. We had our first reading where we all sat around at MTV.
We're on the speaker phone and he's listening to us all read through the script. I just remember Austin and I were standing there with notebooks as John imparted wisdom and I felt like I'd gone back to school.
We were just making notes and it was wonderful. I just wanted to absorb his brain and everything that he knows. Butler: Then all of a sudden he starts quoting Shakespeare and these soliloquies that just go on and on, and you're saying, "Wow, this guy has got all of this in his brain.
And he has such kind eyes. Rhys-Davies: There were times when, unfortunately, I've interfered, yes, but by and large your job is to say, "Good.
That's great. Go further. Push it further. Don't be sulky. Don't be sad about yourself. Be mad at yourself, not sad at yourself.
I have a feeling that's probably not always true. Part of it is because we want a good landscape and part of it is because it actually makes the production doable and allows us to do so much more than we would be able to do if we were shooting it in California or Atlanta or New Orleans.
Millar: Those landscapes also speak to something different, something otherworldly. We always talk about this show in the same way as Star Wars , that it's a mix of CG and practical effects that work together.
Our gnome characters are just aesthetic; we didn't go fully CG. Whereas our Furie, which is one of our beasts, is fully CG and it's awesome. But it took three months of design work and conception, going through 50 different versions of what our Furie would be that makes it different, distinct and unique, and then how do we bring that to life in that when you see it, it looks just as good as any movie?
So it's just giving it the time, the attention to detail, finding the right people and not settling that can distinguish it in terms of the TV shows that rush it or don't have the attention to detail or the ambition.
You have to have intelligence behind it, so coming up with something that feels frightening but that you can believe had intelligence was extremely challenging.
And then, once you get past that, just the structure of how this thing would shift back and forth into new creatures. We are going for everything at feature quality and that was an additional challenge, to not just step back into the old television standard and make something simpler.
We wanted it to be a huge event and to see this creature in all its glory. Gough: We really did not want to do a fully CG environment.
We wanted to build practical sets on practical locations. We looked back at Star Wars , actually, as our touchstone. Our quest as creators was to find an original vision for the show, which I think we achieved in terms of the creature design, production design, wardrobe, props…all of those elements.
It feels unique. Millar: As a result of that desire, there were many conversations about set design, production design, the concept for the cities, for the world.
How do we create that? So it has that fantasy of the future, but a with a contemporary edge. Everything has a kind of handmade feeling rather than a manufactured feeling to it.
Also, the materials are natural. We ended up using a lot of leather, which is appropriate to the world but also practically a real material because all of our characters had signature costumes that had to perform through all types of different environments.
At the center of the story was this 5,year-old tree, which is almost like a character. So I put my point of the compass in place to get a feel for that and began drawing like a maniac.
As a designer, you put it out there to the other guys and then everyone can put their thoughts down about it and everything grows from there.
Farah: One of the strengths of MTV is its ability to consistently reinvent and stay connected to the ever-changing pop culture zeitgeist.
Pykon 42m. Breakline 42m. Utopia 41m. Safehold 41m. Ellcrys 42m. Druid 43m. Wraith 43m. Graymark 43m. Dweller 43m. Paranor 43m. Crimson 42m. Warlock 42m.
Amberle 43m. Wilderun 42m. Blood 42m. More Details. Watch offline. Available to download. Coming Soon. When the cops are stumped, Alexandra Trese is there to protect Manila from threats of the supernatural kind.
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'You Have Doomed Us All' Ep. 205 Official Clip - The Shannara Chronicles (Season 2)
The Shannara Chronicles Bs The Shannara Chronicles Bs Video Video
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