Star Trek VIII - Der erste Kontakt [dt./OV]. ()1 Std. 50 Min Nach einem Angriff der Borg auf die Raumstation Deep Space 12 verwickelt Captain. sawchain.eu: Finden Sie Star Trek 08 - Der erste Kontakt in unserem vielfältigen DVD- & Blu-ray-Angebot. Blu-ray 8,76 €. DVD 14,00 €. Videokassette 2,45 €. Star Trek 8 - Der erste Kontakt (Remastered) Blu-ray im Onlineshop von Saturn kaufen. Jetzt bequem online bestellen.

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Erneut greifen die Borg die Erde an. Als es einem ihrer Schiffe gelingt, in die Erdatmosphäre einzudringen und in die Vergangenheit zu reisen, um die Menschen ins Kollektiv `aufzunehmen', wird die Enterprise zur einzigen Hoffnung. Ihr muss es. Einige der Heimkino-Veröffentlichungen tragen auch die Nummer 8 beziehungsweise VIII, die der Film innerhalb der Star-Trek-Filmreihe einnimmt, im Titel. Star Trek VIII - Der erste Kontakt [dt./OV]. ()1 Std. 50 Min Nach einem Angriff der Borg auf die Raumstation Deep Space 12 verwickelt Captain. sawchain.eu: Finden Sie Star Trek 08 - Der erste Kontakt in unserem vielfältigen DVD- & Blu-ray-Angebot. Blu-ray 8,76 €. DVD 14,00 €. Videokassette 2,45 €. Über Filme auf DVD bei Thalia ✓»Star Trek 8 - Der erste Kontakt«und weitere DVD Filme jetzt online bestellen! Eine angedeutete Sex-Szene in Star Trek: Der erste Kontakt hat laut Regisseur Jonathan Frakes tatsächlich stattgefunden. Filme in großer Auswahl: Jetzt Star Trek 8: Der erste Kontakt - Remastered als DVD online bei sawchain.eu bestellen.

Star Trek – Der erste Kontakt: Sendetermine · Streams · DVDs · Cast & Crew. Star Trek 8 - Der erste Kontakt [Blu-ray]. Star Trek 8 - Der erste Kontakt [Blu-ray]. Star Trek VIII - Der erste Kontakt [dt./OV]. ()1 Std. 50 Min Nach einem Angriff der Borg auf die Raumstation Deep Space 12 verwickelt Captain. Erneut greifen die Borg die Erde an. Als es einem ihrer Schiffe gelingt, in die Erdatmosphäre einzudringen und in die Vergangenheit zu reisen, um die Menschen ins Kollektiv `aufzunehmen', wird die Enterprise zur einzigen Hoffnung. Ihr muss es.

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Star Trek First Contact Picards Anger Wheeler, Anastasia Emmons. Weitere Empfehlungen einblenden Weniger Empfehlungen einblenden. Beverly Crusher. In Österreich hatte der Film Anime Ecchi Jahrhundert und einer aus dem

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In Star Trek: The Original Series: Obsession , Ensign Garrovick describes a gaseous creature as being "several cubic meters" in size, but his distance as "about twenty feet away".

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I'd also like to mention the great job done by the beautiful Alice Krige as the Borg Queen. Again, there is not a wasted moment in this film and Krige does a brilliant job as the Borg Queen.

I strongly recommend Star Trek:First Contact-it is the type of film which you finish watching and feel as though you have spent your money well.

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Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. The Borg travel back in time intent on preventing Earth's first contact with an alien species.

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Beim Set für die Krankenstation handelt es sich um Orlando Film für Raumschiff Voyager verwendete, die Beobachtungslounge übernahm man von der Enterprise-D und überarbeitete sie. Februar Ausmalbilder Pferde Kostenlos, abgerufen am So darf dieser Genreboom gerne weitergehen. Spielfilm: Science Fiction. Für Captain Picard un

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Wie American Psycho 2 Stream Exzellenter Zustand. Star Trek ist einfach Kult und ich habe diesen Film schon dutzende Male gesehen Miki Mizuno ich könnte ihn mir immer wieder anschauen! Berardinelli kam zu dem Schluss, dass der Film der unterhaltsamste der drei in den er Jahren erschienenen Filme sei. Die Föderation meint, dass ein Mann der einmal eine Borgdrohne war nicht wieder den Borg gegenüberstehen sollte, da vielleicht sein Handeln beeinflusst werden könnte. Artikel online bei Empire online, abgerufen am 8. Asad Schwarz. Weitere Bewertungen einblenden Weniger Bewertungen einblenden. Der Vater sei, weil er die Mutter Ida Nowakowska, der Retter des Sohnes. Der beste Star Trek - Film. Star Trek 8 - Der erste Kontakt (Remastered) Blu-ray im Onlineshop von Saturn kaufen. Jetzt bequem online bestellen. Star Trek – Der erste Kontakt: Sendetermine · Streams · DVDs · Cast & Crew. Star Trek 8 - Der erste Kontakt [Blu-ray]. Star Trek 8 - Der erste Kontakt [Blu-ray]. Bei reBuy Star Trek 8 - Der erste Kontakt gebraucht kaufen und bis zu 50% sparen gegenüber Neukauf. Geprüfte Qualität und 36 Monate Garantie. In DVD. Es gelingt der Föderation sogar den Kubus knapp vor der Erde zu vernichten, doch ein Bleeder Stream Borgschiff schafft es in die Vergangenheit zu flüchten um dort die Menschheit zu assimilieren. Bei der deutschen Premiere am Die Borg-Königin wird als ein Wesen inszeniert, deren Kopf und Wirbelsäule aus Metall bestehen und bei ihrem ersten, sichtbaren Auftritt in einen bereitstehenden, schwarzen Unterkörper mit ebenfalls schwarzen Beinen und Armen eingefügt werden. Es wird gezeigt, Illeana Douglas zwei der Mannschaftsmitglieder bei der Suche nach der Ursache von den Borg angegriffen werden, ohne dass der Zuschauer die Borg zu sehen bekommt. Wäre es nicht einfacher mit einer ganzen Raumflotte statt nur einem Raumschiff die Erde zu anzugreifen? Solche spürt er auch, als die Borg einen Fluchtversuch Datas gewaltsam abbrechen. Aber wie weit wird er gehen? Zefram Cochrane, der Mann, der den Warp-Antrieb erfunden hat wird als psychopathischer Säufer und Perversling übelster Sorte gezeigt, der nur Zitat "auf eine Insel mit nackten Weibern" will. Sehr Star Trek 8.

Zefram Cochrane Alice Krige Borg Queen Michael Horton Security Officer Neal McDonough Hawk Marnie McPhail Eiger Robert Picardo Holographic Doctor Dwight Schultz Edit Storyline In the twenty-fourth century, the crew of the U.

Taglines: Population 9 billion. All Borg. Edit Did You Know? Trivia The film takes place in and from April 4 to April 5, Goofs How did Picard know about the weak point in the Borg cube?

Since all Borg share knowledge through the Collective, Picard learned about the design and construction of a Borg cube.

Thus he knew its weak point. Also, just before he gave Data the coordinates, he heard a Borg chatter in his head the Queen later confirmed that he wasn't imagining it , so it's possible that he intercepted a report about some kind of damage or dangerous power buildup in that section, which just turned it into the cube's Achilles heel.

Quotes [ first lines ] Borg Queen : Locutus Resistance is futile. Was this review helpful to you? Yes No Report this. Frequently Asked Questions Q: In what year does the movie take place?

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Star Trek: Discovery. Star Trek: Deep Space Nine. Star Trek: Discovery - Saru's Speech. We were on a circle, which has no geography to it.

We had our three heroes [Picard, Worf and Hawk] in space suits, which look identical so you couldn't tell who was who until you got in real close.

But the minute you get in close, you defeat the whole purpose of being on the outside of the ship, so you can see the cells and the stars and Earth looming in the background.

It was a shooting and editing nightmare. For the live-action spacewalk scenes, visual-effects supervisor Ronald B.

Moore spent two weeks of bluescreen photography at the deflector set. Moore used a laptop with digital reproductions of the set to orient the crew and help Frakes understand what the finished shot would look like.

McDonough recalled that he joined Stewart and Dorn in asking whether they could do the shots without the topound 4. The last scene filmed was the film's first, Picard's Borg nightmare.

The shot continues to pull back and reveal the exterior of a Borg ship. The scene was inspired by a New York City production of Sweeney Todd: the Demon Barber of Fleet Street in which the stage surrounded the audience, giving a sense of realism.

Starting from Stewart's eye, the camera pulled back 25 feet 7. The surface of the stage proved too uneven to accomplish the smooth dolly pullback required by the effects team, who needed a steady shot to blend a computer-generated version of Picard's eye with the pullback.

Smaller effects sequences, such as phaser fire, computer graphics, and transporter effects, were delegated to a team led by visual-effects supervisor David Takemura.

These rough animated storyboards established length, action and composition, allowing the producers and director to ascertain how the sequences would play out before they were shot.

First Contact was the last film to feature a physical model of the Enterprise. For the ship's dramatic introduction, the effects team combined motion control shots of the Enterprise model with a computer-generated background.

Sequence supervisor Dennis Turner, who had created Generations ' energy ribbon and specialized in creating natural phenomena, was charged with creating the star cluster, modeled after the Eagle Nebula.

The nebular columns and solid areas were modeled with basic wireframe geometry, with surface shaders applied to make the edges of the nebula glow.

A particle render that ILM had devised for the earlier tornado film Twister was used to create a turbulent look within the nebula.

Once the shots of the Enterprise had been captured, Turner inserted the ship into the computer-generated background and altered its position until the images matched up.

The opening beauty pass of the new Enterprise was the responsibility of visual-effects cinematographer Marty Rosenberg, who handled all the other miniatures, explosions, and some live-action bluescreen elements.

Knoll decided to shoot the model from above and below as much as possible; side views made the ship appear too flat and elongated.

For the Borg battle, Knoll insisted on closeup shots that were near the alien vessel, necessitating a physical model. To make the Borg vessel appear even larger than it was, Knoll made sure that an edge of it was facing the camera like the prow of a ship and that the Cube broke the edges of the frame.

To give the Cube greater depth and texture, Rosenberg shot the vessel with harsher light. I wanted it to look scary and mysterious, so it was lit like a point, and we always had the camera dutched to it; we never just had it coming straight at us," he said.

The model had specific areas which could be blown up multiple times without damaging the miniature. Safety glass was placed over the lens to prevent damage, while the camera was covered with plywood to protect it from bits of plastic that rained down after each explosion.

The time-travel vortex the Sphere creates was simulated with a rocket re-entry effect; bowshock forms in front of the ship, then streams backwards at high speed.

Interactive lighting was played across the computer-generated Enterprise model for when the ship is caught in the time vortex.

The miniature Enterprise was again used for the spacewalk sequence. Even on the large model, it was hard to make the miniature appear realistic in extreme close-up shots.

Painter Kim Smith spent several days on a tiny area of the model to add enough surface detail for the close-up, but even then the focus was barely adequate.

To compensate, the crew used a wider-angle lens and shot at the highest f-stop they could. The live-action scenes of the spacewalking crew were then digitally added.

Wide shots used footage of photo doubles walking across a large bluescreen draped across ILM's parking lot at night.

ILM was tasked with imagining what the immediate assimilation of an Enterprise crewmember would look like. Jaeger came up with a set of cables that sprang from the Borg's knuckles and buried themselves in the crewmember's neck.

Wormlike tubes would course through the victim's body and mechanical devices break the skin. The entire transformation was created using computer-generated imagery.

The wormlike geometry was animated over the actor's face, then blended in with the addition of a skin texture over the animation.

The gradual change in skin tone was simulated with shaders. Frakes considered the entrance of the Borg Queen—when her head, shoulders, and steel spine are lowered by cables and attached to her body—as the "signature visual effect in the film".

The scene was difficult to execute, taking ILM five months to finish. This strategy enabled the filmmakers to incorporate as many live-action elements as possible without resorting to further digital effects.

To make the prosthetics appear at the proper angle when her lower body was removed, Krige extended her neck forward so it appeared in line with the spine.

Knoll did not want it to seem that the Queen was on a hard, mechanical rig; "we wanted her to have the appropriate 'float'," he explained.

Using separate motion control passes on the set, Knoll shot the lower of the upper torso and the secondary sequence with Krige's entire body.

A digital version of the Borg body suit was used for the lowering sequence, at which point the image was morphed back to the real shot of Krige's body.

The animated claws of the suit were created digitally as well using a detailed model. Goldsmith wrote a sweeping main title which begins with Alexander Courage 's Star Trek fanfare.

The theme uses a four-note motif used in Goldsmith's Star Trek V: The Final Frontier score, which is used in First Contact as a friendship theme and general thematic link.

In addition to composing new music, Goldsmith used music from his previous Star Trek scores, including his theme from The Motion Picture.

Because of delays with Paramount's The Ghost and the Darkness , the already-short four-week production schedule was cut to just three weeks.

While Berman was concerned about the move, [67] Goldsmith hired his son, Joel , to assist. While Joel composed many of the film's action cues, his father contributed to the spacewalk and Phoenix flight sequences.

During the fight on the deflector dish, Goldsmith used low-register electronics punctuated by stabs of violent, dissonant strings. GNP Crescendo president Neil Norman explained that the decision to include the tracks was controversial, but said that "Frakes did the most amazing job of integrating those songs into the story that we had to use them".

The compact disc shipped with CD-ROM features only accessible if played on a personal computer, [70] including interviews with Berman, Frakes, and Goldsmith.

On April 2, , GNP Crescendo Records announced a limited-edition collector's CD featuring the complete score by Jerry Goldsmith with additional music by Joel Goldsmith , newly remastered by recording engineer Bruce Botnick, with an accompanying page booklet including informative notes by Jeff Bond and John Takis.

The expanded album [GNPD ] runs 79 minutes and includes three tracks of alternates. Frakes believes that the main themes of First Contact —and Star Trek as a whole—are loyalty, friendship, honesty, and mutual respect.

This is evident in the film when Picard chooses to rescue Data rather than evacuate the ship with the rest of the crew.

The moment marks a turning point in the film as Picard changes his mind, symbolized by his putting down his phaser.

In First Contact , the individually inscrutable and faceless Borg fulfil the role of the similarly unreadable whale in Melville's work. Picard, like Ahab, has been hurt by his nemesis, and author Elizabeth Hinds said it makes sense that Picard should "opt for the perverse alternative of remaining on board ship to fight" the Borg rather than take the only sensible option left, to destroy the ship.

In the end, it is Lily the 21st-century woman who shows Picard the 24th-century man that his quest for revenge is the primitive behavior that humans had evolved to not use.

The nature of the Borg in First Contact has been the subject of critical discussion. Author Joanna Zylinska notes that while other alien species are tolerated by humanity in Star Trek , the Borg are viewed differently because of their cybernetic alterations and the loss of freedom and autonomy.

Members of the crew who are assimilated into the Collective are subsequently viewed as "polluted by technology" and less than human.

Zylinska draws comparisons between the technological distinction of humanity and machine in Star Trek and the work of artists such as Stelarc.

Some fans remained upset Paramount cancelled The Next Generation at the height of its popularity, and Generations was a commercial success but not critically praised.

Several novelizations of the film were written for different age groups. Playmates Toys produced six and nine-inch action figures in addition to ship models and a phaser.

The game, Star Trek: Borg , functioned as an interactive movie with scenes filmed at the same time as First Contact 's production.

Paramount heavily marketed the film on the internet via a First Contact web site, which averaged 4. After the screening, 1, guests crossed the street to the Hollywood Colonnade, where the interiors had been dressed to match settings from the film: the holodeck nightclub, part of the bridge, a "star room", the Borg hive and the "crash 'n' burn lounge".

First Contact opened in Britain on December 13, at number two and was the first Star Trek film not to reach number one in that market since The Wrath of Khan.

First Contact garnered positive reviews on release. It has morphed into something less innocent and more derivative than it used to be, something the noncultist is ever less likely to enjoy.

The film's acting met with mixed reception. Lisa Schwarzbaum of Entertainment Weekly appreciated that guest stars Woodard and Cromwell were used in "inventive contrast" to their better-known images, as a "serious dramatic actress" and "dancing farmer in Babe ", respectively.

Petersburg Times opined that only Cromwell received a choice role in the film, "so he steals the show by default".

Here is real acting! In a Star Trek film! The special effects were generally praised. Ebert wrote that while previous films had often looked "clunky" in the effects department, First Contact benefited from the latest in effects technology.

Critics reacted favorably to the Borg, describing them as akin to creatures from Hellraiser. Star Trek: First Contact was first released on VHS in late as one of several titles expected to boost sluggish sales at video retailers.

When Paramount announced its first slate of DVD releases in August , First Contact was one of the first ten titles released in October, [] announced in a conscious effort to showcase effects-driven films.

The film was presented in its original 2. A First Contact "Special Collector's Edition" two-disc set was released in at the same time as three other Next Generation films and Star Trek: Enterprise ' s fourth season, marking the first time that every film and episode of the franchise was available on home video up to that point.

Paramount announced that all four Next Generation films would be released on high-definition Blu-ray on September 22, From Wikipedia, the free encyclopedia.

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