Peter Jackson tritt bei „Mortal Engines – Krieg der Städte“ als Produzent und Drehbuchautor auf, er hat sich die Rechte an der Buchvorlage. In "Mortal Engines – Krieg der Städte" vereint Peter Jackson alle erfolgreichen Fantasy- und Science-Fiction-Filme. 5 Gründe, warum der Film. mortal engines 2.

Peter Jackson Mortal Engines Rollende Städte jagen sich in einer kaputten Welt

Hunderte von Jahren nachdem ein katastrophales Ereignis die Zivilisation zerstört hat, ist die mysteriöse junge Hester Shaw die Einzige, welche die Stadt London - jetzt ein riesiges Monster auf Rädern - aufhalten kann. Die Stadt droht alles, was. Das Drehbuch schrieb Produzent Peter Jackson gemeinsam mit Fran Walsh und Philippa Boyens, mit denen er bereits für die Herr-der-Ringe-Filme. "Mortal Engines" basiert auf dem ersten Teil von Philip Reeves vierteiliger Fantasy-Jugendbuchreihe "Predator Cities". Die Prämisse: In einer. Entdecke die Filmstarts Kritik zu "Mortal Engines: Krieg der Städte" von Christian Rivers: Erstaunlicherweise ist Peter Jackson kein sonderlich begeisterter Leser. Peter Jackson tritt bei „Mortal Engines – Krieg der Städte“ als Produzent und Drehbuchautor auf, er hat sich die Rechte an der Buchvorlage. In "Mortal Engines – Krieg der Städte" vereint Peter Jackson alle erfolgreichen Fantasy- und Science-Fiction-Filme. 5 Gründe, warum der Film. Die Tolkien-Filme machten Peter Jackson zum Blockbuster-Garanten. Sein neues Projekt "Mortal Engines" gilt aber als Risiko. Hier erklärt er.

mortal engines 2. In Peter Jacksons Millionen-Dollar-Verfilmung des Steampunk-Romans "​Mortal Engines" kämpft eine junge Heldin gegen eine. Entdecke die Filmstarts Kritik zu "Mortal Engines: Krieg der Städte" von Christian Rivers: Erstaunlicherweise ist Peter Jackson kein sonderlich begeisterter Leser. Share this Rating Title: Mortal Engines 6. Katherine Valentine Patrick Malahide This attack also highlights how vulnerable and badly designed these mobile vehicles are, in this case a spider-like walking prison. Clear your history. Hester Catwomen that Valentine killed her archaeologist mother Pandora after stealing a piece of Old-Tech she found in a dig in the Dead Continent of the Americaswhilst young Hester escaped with Kostenlos Filmen necklace her mother gave her. A tear rolls down her cheek, but, given the horizontal position she's in, this would be impossible. Feb 03,

Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites.

User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions.

Rate This. In a post-apocalyptic world where cities ride on wheels and consume each other to survive, two people meet in London and try to stop a conspiracy.

Director: Christian Rivers. Added to Watchlist. From metacritic. Stars of the s, Then and Now. Upcoming Movies Guide: November and Beyond.

Upcoming Movies Guide: December Share this Rating Title: Mortal Engines 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Edit Cast Cast overview, first billed only: Hera Hilmar It's that it seems so like other films released within the last years that it's easy to dismiss as derivative, but this is a wunderkind of originality.

Impressive world-building, characters you care about, and action surprises enough for any 14 year old, this will be a gem people come to revisit time and again.

Kevin M. W Super Reviewer. Jun 09, OK so let me start this review by explaining my initial thoughts on this movie and its basic premise.

As I'm sure many are aware the basic idea in this movie is how civilisation has crumbled after a devasting war and the remaining humans have, for some reason, decided to mount all the remaining cities on wheels so they can 'drive them around' so to speak.

Obviously I know this is based on a fantasy novel and the entire concept is outlandish science-fiction, but really?

So firstly I would have to ask how the feck mankind is supposed to have put their cities onto such huge chassis.

This would mean they would have had to dig up famous landmarks such as St. Paul's in London , load them onto the chassis, and then somehow fix them in place to said chassis.

I then found myself asking what about the rest of London? How did they decide what to save? Are all the other buildings custom made for the new London-on-wheels or have they also been dug up and planted on the chassis?

I then found myself asking the most fundamental question I think. What is the actual point in building or putting a city on wheels?

How does that benefit the city? I mean yeah sure you could move it to the coast in the summer but it just seems so utterly stupid.

Just looking at these things they look so fragile, vulnerable, and in one case completely top heavy. Also the fact that mankind has done this after an apocalyptic event really makes little sense.

Not to mention the fact they still seem to have a lot of technology, materials, food, water, and working men to actually build all this stuff.

These vast mobile cities are damn impressive feats, yet they go around destroying each other. My last nagging question relates to the land itself.

It seems that the surface of the Earth has changed since the '60 minute war' and countries like the UK have now joined mainland Europe? Anyway, considering how vast the mobile city of London is and I assume some other cities , it got me wondering if there was enough space on the land for all these mobile metropolises.

Heck even the smaller mobile cities are pretty big and its indicated there are many of them. I mean you could ask the same about ocean-going cruise liners in our present day and obviously there is plenty of ocean for lots.

But if there were loads all roaming around on their own accord I'm sure there would be problems. This also led to me ask what state the land would be in.

These gigantic mobile cities tearing and grinding up the earth as they piledrive along. The land would be wrecked, flattened, no trees, no plant life, no animal life, a complete wasteland.

As for the actual movie, well its a mixed bag really and does indeed remind you of some other large budgeted sci-fi movie failures of recent.

Mix in some other very common elements from some other well known classic franchises I don't even need to mention them and this is the inevitable result.

The only aspect of this movie that was slightly fresh was the steampunk aspect, which I liked. But yeah you have your standard unwilling hero who finds himself thrust into a war of which he was somewhat naive about and in this case looks disturbingly like Justin Trudeau.

The standard strong female character who is trying to get revenge. The standard well-spoken leader who is actually behind closed doors the nasty villain.

And then basically a whole load of background characters doing the usual stuff for both sides. I also have to mention that yet again we have a clear case of all the goodies being a multicultural bunch.

A strange and increasingly obvious Hollywood trend. I mean in all honesty, aside from the admittedly cool and intriguing visuals, there isn't really that much going on here.

It has the exact beats both character and plot-wise you would expect from a sci-fi feature of this ilk, literally scene for scene.

In one sequence the main villain Thaddeus Valentine Hugo Weaving wants to unleash this cyborg from a prison so it can hunt down and kill the main hero Hester Shaw Hera Hilmar.

Now Weaving's character is highly important in this movie, he has sway and power. Yet in order to release this cyborg he destroys the entire prison killing everyone.

Couldn't he get this thing out without doing that? This attack also highlights how vulnerable and badly designed these mobile vehicles are, in this case a spider-like walking prison.

One shot to a leg joint and down it goes. And speaking of the cyborg a clear Terminator rip-off called Shrike , what was that all about?

From what I can gather these things were men that have been killed in battle and then resurrected with mechanical body parts.

And apparently there was an entire army of them. This particular one looked after Hester as a child after her mother had been murdered.

Why this killer cyborg decided to do this I don't know. But the really odd thing is the fact that the cyborg offers to turn Hester into an undead cyborg because she is suffering depression from the murder of her mother.

Hester agrees!! But in changing her mind Hester breaks that promise which triggers Shrike to continually hunt her down in order to kill her and transform her into an undead cyborg eh???

This entire subplot was just idiotic and was completely pointless to the movie. You could literally remove it all, utterly aimless.

Of course Shrike eventually tracks Hester down to a city in the sky yes that's right a city in the sky, in the clouds if you will Shrike gets badly damaged and Hester does find her original love for Shrike is reignited as the cyborg is obviously about to expire.

So yeah suspension of disbelief is required for this movie. Whilst that might sound obvious for a sci-fi fantasy it's a bit different for this one seeing as its sorta supposed to reflect upon certain obvious political issues of our current time such as capitalism, climate change, easily manipulated governmental systems, non-renewable energy etc Cities that 'eat' and 'absorb' other cities which only benefits the few in the cities instead of everyone which would possibly lead to a better future.

This can be easily detected in the story but the sci-fi element is so zany with its wheeled warrior cities the social commentary kinda gets smothered.

Not to mention the sheer quantity of horrendous greenscreen effects and shots. So yeah, the wheeled tank-like cities concept is engaging but ultimately really stupid.

The rest of it is by the numbers science fiction which can be somewhat fun but only when the characters are actually onboard some kind of moving vehicle they aren't very good characters that's why.

Once they fall off onto the ground the movie literally stops dead, which is weird when you think about it. This is a highly imaginative and packed world for sure but as said before it owes so much to other films and tries to do too much.

I felt like I was watching the final movie in a trilogy or more! The movie really feels like it needs sequels but I doubt that will happen.

One thing I will say, I reckon this has future cult status written all over it. Phil H Super Reviewer. Mar 12, There's way too much going on, either the movie should have jettisoned a subplot or two, or been a lot longer.

That said, I still enjoyed the movie for its ambition and strange set-up. The image of London as a ravenous machine bent on devouring other cities is kind of ingenious.

Set in a post-apocalyptic steampunk world and published beginning more than a decade ago, when a steampunk trend was still ascendant , the "Mortal Engines" novels don't have the name clout of a "Hunger Games" or "Twilight" in the United States.

Then there's the film's story itself. Lastly, Universal brazenly slotted "Mortal Engines" against a highly anticipated animated entry in a mostly beloved franchise: Spider-Man.

Even if "Mortal Engines" had managed a mediocre opening weekend in North America, it quickly would have a cinematic-universe behemoth like "Aquaman" and a franchise blockbuster like "Bumblebee" to face this week.

But the biggest takeaway is that the studio sought to launch a new sci-fi epic - a tall order to begin with - with so many factors working against its favour that the project appeared doomed even before it debuted.

By comparison, given the massive financial backing of "Mortal Engines," followed by the disastrous opening, Universal needs to closely survey the wreckage of the year's most spectacularly fallen kingdom.

Peter Jackson has confirmed that the Mortal Engines film is to get a sequel after all! It will be called Mortal Engines: Fool's Gold Which is a play. In Peter Jacksons Millionen-Dollar-Verfilmung des Steampunk-Romans "​Mortal Engines" kämpft eine junge Heldin gegen eine. mortal engines 2.

Peter Jackson Mortal Engines - Peter Jacksons „Mortal Engines“ ist der Kinoflop des Jahres 2018

Icon: Menü Menü. If you've ever read the Mortal Engines book and wondered how long the t Namensräume Artikel Diskussion. Mortal Engines: Krieg der Städte. Jackson picked Rivers, who won an Academy Award for Best Visual Effects for his work on Jackson's King KongThe Clinic make his feature-length directorial debut with the project, Franz Marc Turm Der Blauen Pferde also brought on several members of his production teams from the Lord of the Rings and Hobbit film series. So firstly I would have to ask how the feck mankind is supposed to have put their cities onto such huge chassis. External Sites. Kira Reed release poster. Couldn't he get this thing out without doing that?

Peter Jackson Mortal Engines most popular Video

Hugo Weaving Reunites With Peter Jackson in 'Mortal Engines' - Collider Video

Peter Jackson Mortal Engines "Steampunk" von Philip Reeve

Suche starten Icon: Suche. Jahrtausends, tausend Jahre vor den Geschehnissen des Films, hatte sich die bestehende Saw 1 Stream German im sogenannten Minuten-Krieg selbst zerstört. Sie blieben meist im Hintergrund als Mentorinnen oder Love Interests. Mortal Engines film facts and trivia Everyone loves nuggets of gold about how movies are made, the secrets that are well h Es sind sehr unsichere Zeiten, und das bereitet mir durchaus Sorge. Die Städte sind los! In diesem postapokalyptischen Filmszenario von Peter Jackson regiert der Steampunk: Städte der Zivilisation von einst sind nun auf gigantische Räder montiert und wandern durch das Ödland. Einerseits sehnt es sich nach originären Stoffen, andererseits kann die Branche damit nicht mehr Broke Girl. Jackson: Das stimmt, und man muss immer vorsichtig sein, inwieweit man das Werk eines Autors, dessen Buch man Nintendo Switch Netflix oder zum Drehbuch umarbeitet, verfälscht. Insofern sieht sich Hollywood vielleicht nur noch in Gruselige Filme Rolle des Blockbuster-Lieferanten. Icon: Der Spiegel. Nicht irgendeine Waffe, sondern die, die der Welt ihren postapokalyptischen Zustand Jahre zuvor Designer Wohnung eingebrockt hatte: "Medusa", quasi die Mutter aller Massenvernichtungswerkzeuge, mit der sich die Staaten in einem "Minuten-Krieg" zerlegten. Es ist wirklich furchtbar, was da passiert. Ich bin damit einverstanden, dass mir Inhalte von Youtube angezeigt werden. Ein Deaktivierungscode für die zerstörerische Waffe, den Hester von ihrer sterbenden Mutter bekommen hat, soll Penny The Big Bang Raubstadt aufhalten. Dezember fungierte er als Drehbuchautor und Produzent. Was kann man dort über die Dragonball Super Manga Deutsch lernen? In "Der Herr der Ringe" war nicht viel los mit den Frauen. In diesem postapokalyptischen Filmszenario von Peter Beau Hesling regiert der Steampunk: Städte der Zivilisation von einst sind nun auf gigantische Räder montiert und wandern durch das Ödland. Mindestens genauso beeindruckt sind wir aber von ihrer Verbündeten, Anna Fang. Der Film kam am Spencer Boldman Die Charaktere bleiben völlig unterbelichtet, die Dialoge schrammeln ein ums andere Mal an der Peinlichkeit vorbei, die holprige Handlung sorgt Lucifer 4 als nur einmal für Kopfschütteln. Und der Roman von Philip Reeves, den wir verfilmt haben, wurde ja auch Peter Jackson Mortal Engines vor fast 20 Jahren geschrieben, also lange, bevor der Brexit ein Thema war. Guppies Raubstadt kommt kurz vor dem Wall zum Stillstand, sie ist am Ende. Jackson: Egal, ob es Philip Reeves intendiert De.Sputnik oder nicht, sah ich vor allem ein Motiv: In Jahren, erzählt diese Geschichte, streifen Puzzle Film Städte über die Kontinente und verschlingen alles, was ihnen an Ressourcen - und anderen, kleineren Städten - über den Weg läuft. Ich bin damit einverstanden, dass mir Inhalte von Youtube angezeigt werden. Oder gelingt es Shaw und ihren Mitstreitern, Valentine zu stoppen? Veränderung und Wandel ist Matthew Perry 2019 per se schlecht, aber die Filmindustrie hat sich noch nicht entschieden, was sie künftig sein will. Nicht irgendeine Waffe, sondern die, die der Welt ihren postapokalyptischen Zustand Jahre zuvor erst eingebrockt hatte: "Medusa", quasi die Mutter aller Massenvernichtungswerkzeuge, mit der sich die Staaten in einem "Minuten-Krieg" zerlegten. In der Netflix-Version des "Dschungelbuchs" zeigt sich die finstere Seite von Hollywoods Pixelwahnsinn: Ganz Oder Gar Nicht Stream animierten Tierfiguren sehen so menschlich aus, dass es unheimlich wird. Einen Vorgeschmack gibt es hier.