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Documentary that chronicles how Francis Ford Coppola's Apocalypse Now () was plagued by extraordinary script, shooting, budget, and casting. Apocalypse Now [əˈpɒkəlɪps naʊ] (englisch für etwa „Apokalypse jetzt“ oder „Weltuntergang jetzt“) ist ein Antikriegsfilm des Regisseurs Francis Ford Coppola. On the 40th anniversary of Apocalypse Now, director Francis Ford Coppola explains why 'Apocalypse Now Final Cut' is his favorite version yet. Apocalypse Now () - IMDb. Directed by Francis Ford Coppola. With Martin Sheen, Marlon Brando, Robert Duvall, Frederic Forrest. A U.S. Army officer. Apocalypse Now Redux [dt./OV]. ()IMDb 8,43 Std. 14 Min 49 Minuten längere Neufassung von Francis Ford Coppolas legendärem Kriegsdrama. Apocalypse Now: The Final Cut. ()IMDb 8,43 Std. 1 Min Die Geschichte folgt dem Militärpolizisten Captain Willard auf seiner Mission durch die. Schau dir unsere Auswahl an apocalypse now redux imdb an, um die tollsten einzigartigen oder spezialgefertigten, handgemachten Stücke aus unseren Shops.
John Milius Francis Ford Coppola. Carmine Coppola Francis Ford Coppola. Greenberg Lisa Fruchtman.
American Zoetrope. Release date. Running time. English French Vietnamese Khmer. Roger Ebert. Box Office Mojo. Retrieved August 4, Retrieved Rotten Tomatoes.
CBS Interactive. New York Times. Apocalypse Now. Based on Heart of Darkness by Joseph Conrad. Colonel Kurtz.
Francis Ford Coppola. Is Paris Burning? Joseph Conrad 's Heart of Darkness. Kurtz Charles Marlow.
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Also, the production had bodyguards watching constantly at night and one day the entire payroll was stolen. Coppola flew back to the U.
He read a book about Genghis Khan to get a better handle on the character of Kurtz. After filming commenced, Marlon Brando arrived in Manila very overweight and began working with Coppola to rewrite the ending.
The director downplayed Brando's weight by dressing him in black, photographing only his face, and having another, taller actor double for him in an attempt to portray Kurtz as an almost mythical character.
After Christmas , Coppola viewed a rough assembly of the footage but still needed to improvise an ending.
He returned to the Philippines in early and resumed filming. On March 5 of that year, Sheen had a heart attack and struggled for a quarter of a mile to reach help.
By that time, the film was already so over-budget, even he worried funding would be halted if word about his condition were to reach the investors, and claimed he suffered heat stroke instead.
He was back on the set on April 19, and during the interim, his brother Joe Estevez filled in for him and provided voice overs needed for his character.
Coppola later admitted that he can no longer tell which scenes are Joe and which are Martin. A major sequence in a French plantation cost hundreds of thousands of dollars but was cut from the final film.
Rumors began to circulate that Apocalypse Now had several endings but Richard Beggs, who worked on the sound elements, said, "There were never five endings, but just the one, even if there were differently edited versions".
These rumors came from Coppola departing frequently from the original screenplay. Coppola admitted that he had no ending because Brando was too fat to play the scenes as written in the original script.
With the help of Dennis Jakob, Coppola decided that the ending could be "the classic myth of the murderer who gets up the river, kills the king, and then himself becomes the king — it's the Fisher King, from The Golden Bough".
A water buffalo was slaughtered with a machete for the climactic scene. The scene was inspired by a ritual performed by a local Ifugao tribe which Coppola had witnessed along with his wife Eleanor who filmed the ritual later shown in the documentary Hearts of Darkness and film crew.
Although this was an American production subject to American animal cruelty laws, scenes like this filmed in the Philippines were not policed or monitored and the American Humane Association gave the film an "unacceptable" rating.
The budget remained a problem; after Star Wars became a gigantic hit, Coppola sent a telegram to George Lucas asking for money.
Principal photography ended on May 21, Post-production and audio Japanese composer Isao Tomita was scheduled to provide an original score, with Coppola desiring the film's soundtrack to sound like Tomita's electronic adaptation of The Planets by Gustav Holst.
Tomita went as far as to accompany the film crew in the Philippines, but label contracts ultimately prevented his involvement.
In the summer of , Coppola told Walter Murch that he had four months to assemble the sound. Murch realized that the script had been narrated but Coppola abandoned the idea during filming.
Murch thought that there was a way to assemble the film without narration but it would take ten months and decided to give it another try.
He put it back in, recording it all himself. He convinced United Artists executives to delay the premiere from May to October The Author Michael Herr received a call from Zoetrope in January and was asked to work on the film's narration based on his well-received book about Vietnam, Dispatches.
Herr said that the narration already written was "totally useless" and spent a year writing various narrations with Coppola giving him very definite guidelines.
Murch had problems trying to make a stereo soundtrack for Apocalypse Now because sound libraries had no stereo recordings of weapons.
The sound material brought back from the Philippines was inadequate, because the small location crew lacked the time and resources to record jungle sounds and ambient noises.
Murch and his crew fabricated the mood of the jungle on the soundtrack. Apocalypse Now had novel sound techniques for a movie, as Murch insisted on recording the most up-to-date gunfire and employed the Dolby Stereo 70 mm Six Track system for the 70 mm release.
This used two channels of sound from behind the audience as well as three channels of sound from behind the movie screen. The 35 mm release used the new Dolby Stereo optical stereo system, but due to the limitations of the technology at the time, this 35 mm release that played in the majority of theaters did not include any surround sound.
In May , Coppola postponed the opening until spring of and screened a "work in progress" for people in April that was not well received. United Artists were not keen on showing an unfinished version in front of so many members of the press.
Since his film The Conversation won the Palme d'Or, Coppola agreed to screen Apocalypse Now with only a month before the festival.
The week prior to Cannes, Coppola arranged three sneak previews of slightly different versions. He allowed critics to attend the screenings and believed that they would honor the embargo placed on reviews.
On 14 May, Rona Barrett reviewed the film on television and called it "a disappointing failure". At Cannes, Zoetrope technicians worked during the night before the screening to install additional speakers on the theater walls, to achieve Murch's 5.
On August 15, Apocalypse Now was released in the U. At the time of its release, discussion and rumors circulated about the supposed various endings for Apocalypse Now.
Coppola said the original ending was written in haste, where Kurtz convinced Willard to join forces and together they repelled the air strike on the compound.
Coppola said he never fully agreed with the Kurtz and Willard dying in fatalistic explosive intensity, preferring to end the film in a more encouraging manner.
When Coppola originally organized the ending, he considered two significantly different ends to the movie. One involved Willard leading Lance by the hand as everyone in Kurtz's base throws down their weapons, and ends with images of Willard piloting the PBR slowly away from Kurtz's compound, this final scene superimposed over the face of a stone idol, which then fades into black.
The other option showed an air strike being called and the base being blown to bits in a spectacular display, consequently killing everyone left within it.
The original 70mm exclusive theatrical release ended with Willard's boat, the stone statue, then fade to black with no credits, save for '"Copyright Omni Zoetrope"' right after the film ends.
This mirrors the lack of any opening titles and supposedly stems from Coppola's original intention to "tour" the film as one would a play: the credits would have appeared on printed programs provided before the screening began.
There have been, to date, many variations of the end credit sequence, beginning with the 35 mm general release version, where Coppola elected to show the credits superimposed over shots of the jungle exploding into flames.
Rental prints circulated with this ending, and can be found in the hands of a few collectors. The network television version of the credits ended with " One variation of the end credits can be seen on both YouTube and as a supplement on the current Lionsgate Blu-ray.
Later when Coppola heard that audiences interpreted this as an air strike called by Willard, Coppola pulled the film from its 35 mm run and put credits on a black screen.
However, the "air strike" footage continued to circulate in repertory theaters well into the s, and it was included in the s LaserDisc release. In the DVD commentary, Coppola explains that the images of explosions had not been intended to be part of the story; they were intended to be seen as completely separate from the film.
He had added the explosions to the credits as a graphic background to the credits. Coppola explained he had captured the now-iconic footage during demolition of the sets set destruction and removal was required by the Philippine government.
Coppola filmed the demolition with multiple cameras fitted with different film stocks and lenses to capture the explosions at different speeds.
He wanted to do something with the dramatic footage and decided to add them to the credits. This is an extended version that restores 49 minutes of scenes cut from the original film.
Coppola has continued to circulate the original version as well: the two versions are packaged together in the Complete Dossier DVD, released on August 15, and in the Blu-ray edition released on October 19, The longest section of added footage in the Redux version is the "French Plantation" sequence, a chapter involving the de Marais family's rubber plantation, a holdover from the colonization of French Indochina, featuring Coppola's two sons Gian-Carlo and Roman as children of the family.
Around the dinner table, a young French child recites a poem by Charles Baudelaire entitled L'albatros. The French family patriarch is not satisfied with the child's recitation.
The child is sent away. These scenes were removed from the cut, which premiered at Cannes. In behind-the-scenes footage in Hearts of Darkness, Coppola expresses his anger, on the set, at the technical limitations of the scenes, the result of shortage of money.
At the time of the Redux version, it was possible to digitally enhance the footage to accomplish Coppola's vision. In the scenes, the French family patriarchs argue about the positive side of colonialism in Indochina and denounce the betrayal of the military men in the First Indochina War.
Other added material includes extra combat footage before Willard meets Kilgore, a humorous scene in which Willard's team steals Kilgore's surfboard which sheds some light on the hunt for the mangoes , a follow-up scene to the dance of the Playboy Playmates, in which Willard's team finds the Playmates stranded after their helicopter has run out of fuel trading two barrels of fuel for two hours with the Bunnies , and a scene of Kurtz reading from a Time magazine article about the war, surrounded by Cambodian children.
As the sampan gets closer, Willard realizes there are monkeys on it and no helmsman. Finally, just as the two boats pass, the wind turns the sail and exposes a naked dead Viet Cong VC nailed to the sail boom.
His body is mutilated and looks as though the man had been flogged and castrated. The singing stops.
As they pass on by, Chief notes out loud, "That's comin' from where we goin', Captain. Coppola said that he made up for cutting this scene by having the PBR pass under an aircraft tail in the final cut.
First Assembly A minute First Assembly circulates as a video bootleg, containing extra material not included in either the original theatrical release or the "redux" version.
This new version is Coppolla's preferred version of the film and has a runtime of three hours and three minutes, with Coppola having cut 20 minutes of the added material from Redux; the scenes deleted include the second encounter with the Playmates, parts of the plantation sequence, and Kurtz's reading of Time magazine.
It is also the first time the film has been restored from the original camera negative at 4K; previous transfers were made from an interpositive.
It was released in autumn , along with an extended cut of The Cotton Club. A three-hour version of Apocalypse Now was screened as a "work in progress" at the Cannes Film Festival and met with prolonged applause.
At the subsequent press conference, Coppola criticized the media for attacking him and the production during their problems filming in the Philippines and said, "We had access to too much money, too much equipment, and little by little we went insane", and "My film is not about Vietnam, it is Vietnam".
The filmmaker upset newspaper critic Rex Reed who reportedly stormed out of the conference. Apocalypse Now won the Palme d'Or for best film along with Volker Schlöndorff's The Tin Drum — a decision that was reportedly greeted with "some boos and jeers from the audience".
Box office Apocalypse Now performed well at the box office when it opened in August It ran exclusively in these three locations for four weeks before opening in an additional 12 theaters on October 3, and then several hundred the following week.
The film was re-released on August 28, , in six cities to capitalize on the success of Platoon, Full Metal Jacket, and other Vietnam War movies.
Louis and Cincinnati — cities where the film did financially well in The film was given the same kind of release as the exclusive engagement in , with no logo or credits and audiences were given a printed program.
The website's critics consensus reads, "Francis Ford Coppola's haunting, hallucinatory Vietnam War epic is cinema at its most audacious and visionary.
Upon its release, Apocalypse Now received mixed reviews. In his original review, Roger Ebert wrote, "Apocalypse Now achieves greatness not by analyzing our 'experience in Vietnam', but by re-creating, in characters and images, something of that experience".
In his review for the Los Angeles Times, Charles Champlin wrote, "as a noble use of the medium and as a tireless expression of national anguish, it towers over everything that has been attempted by an American filmmaker in a very long time".
Other reviews were less positive; Frank Rich in Time said: "While much of the footage is breathtaking, Apocalypse Now is emotionally obtuse and intellectually empty".
Vincent Canby argued, "Mr. Coppola himself describes it as "operatic," but Apocalypse Now is neither a tone poem nor an opera. It's an adventure yarn with delusions of grandeur, a movie that ends—in the all-too-familiar words of the poet Mr.
Coppola drags in by the bootstraps—not with a bang, but a whimper. It is not about war so much as about how war reveals truths we would be happy never to discover".
Commentators have debated whether Apocalypse Now is an anti-war or pro-war film. Some evidence of the film's anti-war message includes the purposeless brutality of the war, the absence of military leadership, and the imagery of machinery destroying nature.
Advocates of a pro-war stance view these same elements as a glorification of war and the assertion of American supremacy.
According to Frank Tomasulo, "the U. Anthony Swofford recounted how his marine platoon watched Apocalypse Now before being sent to Iraq in to get excited for war.
Nidesh Lawtoo illustrates the ambiguity of the film by focusing on the contradictory responses the movie in general and the "Ride of the Valkyries" scene in particular, triggered in a university classroom.
According to Coppola, the film may be considered anti-war, but is even more anti-lie: " Total Film magazine gave the film a five-star review, stating: "This is the original cut rather than the 'Redux' be gone, jarring French plantation interlude!
Legacy Today, the movie is regarded by many as a masterpiece of the New Hollywood era.
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'Apocalipsis Now', por Pedro Salinas #161: Epicentro: Europa
Nur in der Redux -Version und dem Final-Cut enthalten. Soldaten stürmen die Bühne und Wo War Ich In Der Nacht Von Freitag Auf Montag Playmates müssen überstürzt aus dem Tumult mit dem Hubschrauber ausgeflogen werden. Als Kilgore hört, dass bei dem Dorfstrand, an dem das Boot abgesetzt werden soll, brauchbare Wellen zum Wellenreiten Surfen sind, befiehlt er den Angriff. Er handelt nicht so sehr vom Krieg selbst, sondern davon, welche Wahrheiten der Krieg ans Licht bringt, bei denen Tribute Von Panem Auf Englisch uns glücklich geschätzt hätten, wenn wir sie nie entdeckt hätten. An Bord befinden sich GreyS Anatomy Streaming Guardaserie Vietnamesen, Lebensmittel und Tiere. Willard lässt die Crew zunächst über das Ziel der Fahrt und seinen Auftrag im Unklaren, da beides der Homeland Streamcloud unterliegt. Bei den nicht-amerikanischen Wählern der Golden Globes reichte es immerhin zu einer Nominierung. Einige noch The Truman Show Stream English Umlauf befindliche Versionen des Films haben jedoch nach wie vor das ursprüngliche Ende. Apocalypse Now Imdb Navigation menu Video
Apocalypse Now - Opening Sequence IMDb • USA • min. Auf dem Höhepunkt des Vietnamkrieges erhält der Militärpolizist Captain Willard einen waghalsigen Auftrag, den hochrangigen. Apocalypse Now: The Final Cut. IMDb 8,43 t 1 min+. Die Geschichte folgt dem Militärpolizisten Captain Willard auf seiner Mission durch die. Apocalypse Now () Apocalypse Now () Poster Onward: Keine halben Sachen () Onward: Keine halben Sachen () Poster Scooby! (). Blackbird - Eine Familiengeschichte () Blackbird - Eine Familiengeschichte () Poster Apocalypse Now () Apocalypse Now () Poster. Apocalypse Now () Apocalypse Now () Poster Harry Potter und der Feuerkelch () Harry Potter und der Feuerkelch () Poster Marie Curie. Jump to: navigationFrauenknast Walter. Kilgore is initially uncooperative as he has not received word about their mission through normal channels, but he becomes more engaged after discovering that Lance is a well-known surfer. The director downplayed Brando's weight by dressing him in black, photographing only his face, and having another, taller actor double for him in an attempt to portray Kurtz as an almost mythical character. Adaptation Although inspired by Joseph Conrad's Heart of Darkness, the film deviates extensively from its source material. By continuing to use TMDb, you are agreeing to this policy. Blacker Trailer Girl On The Train Deutsch his class by saying, "No screenwriter has ever perfected a film adaption of Joseph Conrad's Heart of Darkness. Coppola encountered several production problems while making the film, much of which was documented in the acclaimed documentary Hearts of Darkness. Scott Glenn. Roger Ebert also included it in his top 10 list of greatest Apocalypse Now Imdb DonT Worry Deutsch in Apocalypse Now Imdb - Inhaltsverzeichnis
Nur Matrix, die anderen 2 zählen nicht! And if you understand me, Willard, you will do this for me.
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